
What Newbies Should Know About Book Marketing A Discussion With Rachel Thompson
with Shane Barker
Rachel Thompson and Shane Barker unpack the essentials of book marketing for new writers. From distinguishing your personal brand to engaging audiences well before publication, Rachel explains how a thoughtful approach can set any author up for success. She reveals why simply posting “buy my book” online won’t cut it, and shares how professional presentation, consistent messaging, and genuine interaction on social media form the backbone of a winning strategy.


Rachel Thompson is the founder of BadRedhead Media, a marketing consultancy dedicated to helping authors and entrepreneurs elevate their online presence. Combining her expertise as an award-winning author with years of hands-on digital marketing experience, Rachel guides clients in developing sustainable strategies that enhance brand visibility and drive meaningful engagement. Through her signature programs, she provides practical guidance on social media management, content creation, and platform growth.
As the host of the #BookMarketingChat on Twitter, Rachel facilitates weekly discussions where she shares insights on leveraging the ever-changing digital landscape. She is also the author of multiple books, including the “Broken” series, which have garnered critical acclaim for their authentic storytelling. Her success as both an author and consultant uniquely positions her to address the challenges faced by modern creators.
A popular speaker at industry events, Rachel champions transparency, empathy, and genuine connection, encouraging others to embrace a purpose-driven approach to marketing.
Episode Show Notes
Welcome back to The Marketing Growth Podcast! In this episode, host Shane Barker speaks with Rachel Thompson, founder of BadRedhead Media, about the fundamentals of book marketing for first-time authors. Rachel shares her own transition from blogging to self-publishing, highlighting the importance of viewing authorship as both a creative and business endeavor. She stresses the value of building an author platform early—well before your book is published—so you have an engaged audience ready to support your launch.
Rachel also dives into how branding yourself, rather than just your book, can make a stronger impact in the crowded publishing world. Aspiring authors may be tempted to spam social media with “buy my book” posts, but Rachel explains why balancing promotional content with authentic, human conversation is key to building trust. Throughout the discussion, she underscores the need for professional-quality editing, design, and formatting to produce a polished final product.
Whether you’re a blogger looking to expand into publishing or a writer aiming to go the DIY route, Rachel’s practical tips will help you reach readers and stand out in a busy market. Tune in to learn how planning, patience, and a well-crafted brand can guide your self-publishing success.
Books mentioned
Broken Pieces by Rachel Thompson
Broken Places by Rachel Thompson
Brands mentioned
Amazon KDP
BookBaby
Reedsy
BadRedhead Media
Pinterest
Twitter
ShaneBarker.com

Welcome to the Marketing Growth podcast. I’m your host, Shane Barker. I’ve been talking with Rachel Thompson about her journey into the world of book marketing.
In this episode, we’ll dive deeper and discuss what it takes to become a self-published author. I’m also curious to find out what new writers should do to create a buzz about their book. Let’s get the conversation started. You had the blog, and then you had—so when did you start the BadRedhead Media?

Rachel Thompson
Yeah, I started out in 2011. So I’d been blogging for about three years, and I knew that I was going to be publishing my first two books. I published the humor books, and they did amazing. This was when Amazon had opened up its self-publishing—KDP, right? And it was kind of the wild, wild west of self-publishing.
There was a huge pool that you could earn money from. Maybe 500–750 books were released every day. Now we’re up to, like, what is it—three or five thousand books a day? It was crazy. I could basically pay my rent every month living in Orange County, which was very expensive, right? I don’t live there anymore.
So I released those books, I opened my business, and I basically just started helping other people learn how to use social media in a way that wasn’t spamming out links. “Hey, buy my book. Hey, buy my book.” Because that’s what a lot of authors tend to do when they release a book and haven’t thought about pre-marketing.
They think to themselves, “How can I sell a book that doesn’t exist yet?” And that’s where I come in and say, “We don’t need to brand your book—we need to brand you.” That’s where I’ve learned I can help people. That’s what my business is all about—really kind of shifting the paradigm.

And that makes total sense. I think even today, brands—whether you’re an author or whatever it is—they still don’t get that. You don’t need to promote yourself every single day with 500 links. People get numb to that. Nobody really wants that anyway. There needs to be a strategy behind it.
There’s actually a really famous football player—I won’t say his name, and not that I think he listens right now, but maybe he does—and every single day, he has an energy drink that he promotes. And I’m a huge 49ers fan, so people might know who this is. And every day, he talks about the energy drink. And I’m like, man, there’s a better way of doing it. You’re a Hall of Famer, you’ve got a good following, but just every day you talk about it…
If you had a better strategy—you don’t always have to talk about it. You can just have it in the background. You can wear the shirt. People will subconsciously pick up on that. Like, “Oh, maybe this person’s using that. Maybe that’s how they get up in the morning.” There are other things you can do that are more effective. I probably will reach out to him and say, “Listen, I’m a huge fan. I’ll give you a half-hour consultation. Let’s talk about how you can do this better.” People will react to it, but right now, you’re just shoving it down people’s throats, and they’re not going to be a huge fan of that.
Before we get into the book and the self-promotion side—because that’s something I definitely want to touch on—tell me about your books. You’ve got Broken Pieces, you’ve got Broken Places. I know you won a number of awards for those. Give me a little background on that.

Rachel Thompson
Sure. I put out the two humor books, and then I ended up pulling them. Well, one, I divorced my ex-husband—that was a big part of it—but two, I really changed my strategy as an author. I have two brands—basically, Rachel in the OC, which I used because I lived in the OC for 17 years. People ask, “Why is it that?” but I stuck with it.
The other thing was, when I started Twitter back in 2009, there were already several Rachel Thompson authors, so I needed a different name. But what I decided was, I was ready to tell my story of being sexually abused by a neighbor when I was 10 years old. It was something I had hidden for many, many years, and I didn’t want to hide it anymore. So I put together essays and poetry talking about it.
My main goal really wasn’t to make a huge amount of money—I just wanted other survivors to feel less alone. So I wrote that book in 2013, and then I wrote Broken Places, which is the second book, in 2014. The books go together. I did win a number of awards, which is wonderful, but the most important thing was when I released the first book, so many people emailed me, DMed me, PMed me, left me messages—men, women, LGBTQ clients even—saying they were survivors too.
And I felt like there was something I needed to do with this. I didn’t know what, but I was talking with a therapist friend of mine, and I said, “I’d really like to start a public chat on Twitter, because we don’t need to be ashamed of what happened to us. It’s not our fault. We didn’t abuse ourselves, especially as children. The criminal committed the crime. We didn’t do anything wrong.” I was so over the victim-blaming, especially with everything going on in the public eye.
So in 2013, I started #SexAbuseChat, which is every Tuesday night—tonight, actually—6:00 PM Pacific, 9:00 PM Eastern. I started it with this therapist friend, who had to step back a few years ago due to personal issues, but we’re still good friends.
Now I have two other co-hosts, and we’ve done it every week for the past six or seven years. It’s a huge community of survivors. We have a specific topic every week. And that, for me, has really been the best part of publishing my books. I sell them for very little—it’s not about money. For me, it’s about helping other survivors feel less alone.

And so let’s talk about that. Obviously, you seem very selfless with this, and I can only imagine the transition—from saying, “Hey, this has happened to me,” feeling embarrassed, shy, nervous, ashamed, whatever those feelings are—and then being able to say, “Listen, I’m just going to tell the world my story.”
Doing that, I know, is extremely difficult. I know firsthand—there are things that have happened to me, not sexually necessarily, but just things in my life where I’m like, “I don’t want people to know that.” But really, once you get it out there and you start to see that people are relating to it, and they’ve also had things happen to them that you wouldn’t even imagine… And they didn’t think anything happened to you, and you didn’t think anything happened to them. When you let that go and release that out there, good things can happen. I think that’s awesome. I think it’s really cool that you’re able to tell your story and do the things that you’ve done.
I also think it’s helped you because you have a different mindset. A lot of people, when they create books, they’re looking at a few things—maybe they want to make a million dollars, which I’m not saying you can’t do that with books. You can. But I’ll tell you, it’s very difficult. Or they’re doing it for thought leadership, or to give back to the community and put something personal out there.
So when you talk about self-publishing—how did you go about doing that? Because obviously you were in the beginning stages of self-publishing .It was very difficult. You had the big three book distributors, right? The major ones that handled any real publishing deals. Tell us a little about that journey. If anybody’s looking to self-publish or come out with their own book—give us a little background on that.

Rachel Thompson
Well, I decided at the beginning that if I was going to self-publish—and I decided I wanted to, because I have the marketing background to market my own books—I wanted to do it top shelf. I wasn’t going to just take a document and upload it. That’s like taking a book report and calling it a book. So I ended up working with people I’d met in the self-publishing space. I hired a freelance editor, a professional graphic designer, a professional formatter.
You have to understand—if you’re going to do this right, it’s an investment. You can just upload a document, sure—but you’re not going to make any money. If you want a good quality book, you have to invest in yourself and the book.
When I started, there weren’t companies you could hire to do these things. Now, you can actually hire companies like BookBaby, or go to places like Reedsy and hire professionals to do it for you. I have a team that I work with now—very good editors, formatters, graphic designers—and I’m putting together a resources page on my site. But at the time, you sort of had to just trust that people would do a good job.
Since then, I was brought in to work with a hybrid publisher—who is now defunct, but they were great. I led an imprint for them for other survivors, and helped publish about ten or so books by other survivors, which was fabulous.
Then, once they closed, I got an agent and went with a small boutique publisher. They were great. I loved working with them—but I literally made no money. So after a year or two—I think it was a year—I got my rights back and republished all my books myself.
For me, self-publishing has been the best way to make money. Which isn’t to say I’m not open to talking with an agent—I do have one who’s interested in me right now—but it’s not about making money. For me, my business makes my money.

Yeah, and I think that’s… if you’re talking to an agent or a big publishing company, it’s hard to say, “Hey, I don’t want to make a lot of money. I just want to get the word out.” They’re like, “What do you mean? You don’t want to make money?” You’re like, “No, that’s not my goal.” And they’re like, “Next person.” Because their thing is obviously revenue, and that makes it more difficult.
But I think your goal—of helping people and not focusing on revenue—is just awesome. Most people don’t think that way. But in your situation, you’re like, “These are the feelings I’ve had. This is the journey I’ve gone through. How can I help people better deal with that?” Because you had to deal with it—and it wasn’t easy—and it’s not going to be easy for other people. But the more support you have, like these Twitter chats and the free books… It’s awesome.
And unfortunately, more and more people are going to need that. Not everybody can pay $100–$150 an hour for a counselor. And when you’re going through traumatic events like that, it’s not like you go to a counselor twice and suddenly you’re a new person. It’s continued support, continued work, continued effort to assess what happened. So once again, kudos to you for doing that. It’s awesome—all the books you have coming out.
So in regards to the challenges—it sounds like, like everyone, you kind of go through these things. You got a manager, you got someone to help you with the books. That didn’t really work. You got your rights back. And self-publishing made sense for you because of your marketing background.
Now, of course, there are companies that can help with all that, depending on what your goal is and what your budget is. So if we had some first-time writers—somebody that wants to write a book about anything, whether it be marketing, childhood, a biography, fiction—what would you say to them? What’s the starting point? If someone’s listening to this and thinking, “I’ve got an idea, I want to write a book,” where should they start?

Rachel Thompson
Well, I always recommend that writers build out their author platform—regardless of where they are in the process of writing their book. Because the issue is—and I get this a lot with clients—they’ll say, “My book came out two months ago, and I haven’t sold any. I need you to help me.” And I’m thinking, okay, I’ll do my best… but you really needed to start six months ago—before your book ever launched.

It’s funny. So, I mean, that’s when I used to do a lot of crowdfunding. That’s what people would come to us with. It’s like, “Hey, 30 days—I just submitted two weeks ago. We have two weeks. What do you think I should do to promote this?” And I’m like, “Start six months ago.” Like, you need a three-month to six-month ramp before you even launch. I mean, most of your work is literally done before you even go live. Yeah, right? And so it’s always hard. It’s a difficult thing. It’s like, man, I want to help you, but you’ve got two weeks.
Same thing with you—it’s like, at least with yours, there’s not an end to when they can stop getting money, but it is kind of like, well, you missed that whole PR piece, and getting people excited, and the launch, and getting it hyped up. You miss that part. Now you’re out, and it’s like, well, now how do we regenerate that vibe of people getting excited about it when you’ve already launched?

Rachel Thompson
Right. And in publishing, we say, “We brand the author, not the book.” I kind of changed it to say, “Not only the book,” because obviously, we do have to brand your book. But more importantly, we brand the author.
This is the one thing—I’m writing a little mini book about branding right now—and it’s the one thing most writers or bloggers trying to write a book just can’t get their minds around. We’re not going to talk about your book, your book, your book, 24/7. People want to find common ground. They want to understand these universal truths—“What do we have in common?”—because that’s what we’re going to talk about. Then yes, we can also talk about your book.
Use the real estate that social media gives you—use your header, your bio, your pinned tweet or pinned Facebook post—to say, “Here’s my book. It’s coming soon,” or, “It’s available now,” or, “You can pre-order it.” But that’s not all you should be talking about.
So I give examples. What are four or five things you’re interested in? Expert at? Want to be an expert at? What’s fascinating to you? Talk about those things. Share articles and quotes about those things. And when your book comes out, you can still continue to talk about those topics, alongside updates about your book.
A lot of people are hesitant or afraid of branding because it sounds like something out of Mad Men—“Sell this product!” But they’re probably already branding themselves without realizing it. That’s where I can help clarify it for them.

I think that’s the big thing. I always tell people, like, listen, here’s the deal. If you’re going to post the same thing every day— It’s like, let’s say I’m on a walk and I meet the same person every day. I walk up to them and say, “Hey, I’m Shane Barker, and I’m a blogger, and I sell books.” And they’re like, “Cool, thanks, Shane.” Then you see them again the next day. “Hey, my name is Shane. I write blogs and I write books.” They’re like, “That’s really cool, Shane. It’s nice to see you again.”
Next day… they’re avoiding me, right? They’re like, “God, we’ve got to watch out for Shane when he’s walking his dogs, because all he’s going to do is tell me the same damn thing he told me yesterday.” And that’s super awesome. I get it—you write books. I get that if I need a book, I should come reach out to you.
It’s the same thing I tell clients. Think about having a conversation. If you want to have an engaging conversation and you say the exact same thing every day, you’re going to lose your mind—or people are going to avoid you like the plague.
I probably should have said “like the coronavirus.” That might make it a little more relevant these days.
But that’s the thing—you have to think, “If we’re having a conversation and people are going to be engaged in your feed,” which is really the goal— Like for me, I talk about craft beer, I talk about speaking… I don’t need to tell people every day that I’m a speaker. I don’t need to tell people every day how they can hire me. Honestly, I probably don’t even talk about it enough. I’m more of a hands-off, “Hey, come read my blog, and if you like the content, we can talk.” I should improve all that, but for me, it’s more about educating. And then hopefully you get to a point where you think, “God, I really want to do this. I’ve read 50 of Shane’s blog posts. Who should I hire? Oh yeah—Shane.” That’s the aha moment. And hopefully, it gets to a situation where now I can help that person.
That’s what I try to tell people—think about having a normal conversation. It’s the same thing I talk about with influencer marketing. If you want to hire an influencer and their engagement is all emojis—that’s not really engagement. If I walked up to someone in a restaurant and I just did a heart emoji gesture—you guys can’t see because we’re on a podcast— But if I just do that every time, people are going to be like, “What are you doing?” Have a conversation. That’s engagement. That’s true engagement when we look at the definition of what it is.

Rachel Thompson
Yes, absolutely. And I agree with that. And the thing that sort of always fascinates me is how—not just writers, but anybody with a service or a product to sell—will suddenly lose…
Just like you said earlier, you did telemarketing, and you would call at dinner, and people would be annoyed by that. But then they become that person when they have a book to sell. Yeah, right? And they lose that perspective completely.

Pull yourself out of the situation and look at yourself—would you want to go meet yourself? No, you don’t. You don’t want to meet Shane every time you walk around the park and see him and think, “Oh god, he’s going to talk about the same thing.” You don’t want to be that guy.
Nobody wants to be the annoying one. It’s like when people break up—nobody wants to be the boyfriend that’s stalking the girl, or the girlfriend that’s staring him down. Nobody wants to be that. But we get to that point. You can tell a friend, “Hey, don’t do that. That’s stupid.” But when you’re in the middle of the situation, you’re doing the stupid stuff. And you’re like, “Why are you doing that? You told me not to do that a month ago.” It’s different when it’s you. Because you’re thinking, “I’ve got to make a sale,” or “I’ve got to do this.” Take a step back, look at yourself in the mirror, and ask, “Is this the person I want to be? Is this how I’m really going to sell this product?” Would I buy from this person? The answer is probably no.
But most of the time, there’s not that self-reflection. There’s not that moment of, “What do I look like right now? Do I look like a lunatic?” If I’m just saying the same stuff every day, I’m wondering why I’m losing followers or engagement or why people aren’t buying my book— Guess what? Nobody wants to hear about your book every day. Nobody cares. That’s not an engaging conversation.

Rachel Thompson
Exactly. And that’s the other thing I try to get people to understand. My personal favorite social channel is Twitter—for interacting and building relationships.
As for conversions, it’s very low. So people need to accept that just throwing links out constantly isn’t going to convert to sales. Let the real estate do that for you.
Whereas something like Pinterest—the half-life of a link is about three months. So when people tell me, “I’m not going to do Pinterest because I can only do one channel,” I think, “Okay, well if you’re only going to do one, maybe it should be one where the half-life isn’t two minutes.” Do something that’s more effective for your demographic. “Well, I don’t know what my demographic is.” Well, let’s figure that out. There’s a lot of work involved.
A lot of times, writers—writers are lazy. I’m a writer too. If you don’t want to do the work, then don’t complain about it. And those are the types of things I have to get them to do—just the tiniest bit of work.

Yeah, and just—this is a PSA—not only are writers lazy. I think everybody seems to be lazy.
There’s that quote—something like, “There was something that came and it was disguised as work or something” So the idea is, once you really understand what it takes to promote a book, it isn’t, “Hey, send out six tweets and let’s sit back and watch it happen.” I deal with this in influencer marketing. People say, “All I have to do is hire Kim Kardashian. I give her half a million dollars, she posts once about my supplement drink, and I’ll make millions.” No, no—that’s a terrible idea. It takes work. Everybody’s going from the 10-second ab to the 7-second ab. Now it’s the 3-second ab. Now they’re saying, “I just want someone else to do it for me.”
And sure, maybe not fitness-wise, but yes—you can hire someone to do it. But expect that either you’re going to need a lot of money, or a lot of time. Anything you do is going to take time. Nothing is an overnight process.
Like being a sales rep—what about when you were a pharmaceutical rep? Let me guess, the first month, you crushed it, right? No. Nobody does. It takes a year. It takes two years. You start to learn the process. Same thing with anything—video, blogging, being an author. It takes time.
If someone tells you they’ve got a magic formula, be cautious. You can absolutely get tips from mentors or people who’ve done it—hire someone like you. But just know—it’s going to be a grind. If it weren’t a grind, everybody would be doing it. If it were easy, everyone would be making millions.
We’d have one marketing company, and that’s it. It’s work. You’ve got to put in the work. That’s why, when I work with potential clients, I send out these expectation forms—questions like, “What do you expect? What am I doing? What are you doing?”
Because in my early days, that got messy. I’d say, “Sure, I’ll do this.” And then later they’d say, “Wait—you’re not doing that?” And I’m like, “How would I promote your book better than you? You’re the author.” That’s where contracts come in. Clear expectations. Because again—it takes work. It’s not easy.

Rachel Thompson
Managing expectations—and not just with your clients, but with yourself as well. And I think that’s the most important thing: having realistic expectations as an author and, of course, as a businessperson too.

So once again, I know that right now your books are free. So if somebody wanted to do a book—and I’ve had plenty of people reach out to me and say, “Hey, I’ve got this book, I’m gonna write this book, I’m gonna make millions”—I’m not here to squash dreams or anything like that.
But I do want to keep things realistic when it comes to self-publishing. I understand self-publishing is exactly where you’re going to get most of the profit—unless you’re doing something with Amazon, obviously, and their percentage is there. But you also have to do your own marketing. You’re the president, the secretary, the treasurer—you’re everything. You’ve got to do a lot of that stuff.
So how realistic is it to make money from producing a book? What are we looking at? I know there are different niches, different audiences, a lot of moving pieces to that. I just want people to be realistic. When you go and self-publish your first book, and you expect to make a million dollars—somebody has, I’m sure. But be realistic about what that outcome could be.

Rachel Thompson
Well, it’s probably not realistic to make a million dollars. I mean, that’s probably one in a million, right? What I tell people is that first of all, the book has to be amazing. It can’t have typos. It has to have a great cover. You have to put in the work.
Before you can even market a book, you have to have a great book. That’s the first thing. And that’s where I suggest they work with a team of editors, graphic designers, etc. And if they tell me they can’t afford it, then they need to crowdfund—like you said.
So I come in after that. That’s not part of what I do. If they’re with a professional—or with one of the Big Five publishers—that’s covered as part of what they’re doing. If they’re self-publishing, then they need to work with a professional firm that does all those things for them.
And when they come to me and say, “Now what can I do to get this going?”—that’s where I’ll do all their social media setup, posting, establish their branding. I don’t do websites, but I will optimize their blog posts for SEO. That’s where I come in.
If they don’t have a great quality book, I probably won’t end up working with them, or I’ll suggest they go back and redo it. Because if it’s terrible, I can put all this wonderful stuff together for them, but the book is still going to be terrible. There’s nothing I can do about that.

Yeah, yeah. I mean, it’s the same with products. Somebody comes to us and it’s just not a great product. I can probably get you some sales, but at the end of the day, I’m also promoting something that I can’t fully stand behind. So there’s a disconnect.
I should call it Shane 1.0 and Shane 2.0. Shane 1.0 was like, “Oh yeah, I can do it! No problem, let’s go!” Now Shane 2.0 is like, “That’s gonna be a lot of wasted effort.” The expectation from them is, “I want sales.” And my expectation is, “I don’t know if we can do it.” I mean, maybe we can, but you’re just not there yet. People reach out and say, “Hey, I’ve got a logo and an idea.” And I’m like, “That’s awesome!” But you’re probably not there yet in regard to what we do. Unless you’ve got millions of dollars and you’re willing to spend a lot of that to accelerate things, you’re just not ready.
So I’ve been wanting to write my own book for a long time. I have a lot more ground to cover with you, Rachel. Since we’re running short on time, we’ll continue this conversation in the next episode.

We’ll be back soon. Stay tuned to Shane Barker’s Marketing Growth Podcast.
Oh, one more thing for all my podcast listeners—I know doing branding and marketing yourself can be rocky terrain, especially if you’re just starting out. If you need some expert help, you can always reach out to me at shanebarker.com. My team will help you formulate a customized PR strategy and amplify your online presence, regardless of your industry or company size. We’ll make sure you get tons of exposure. I promise.